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Everybody...
My personal and professional life is predicated as a response to the world’s suffering. It just so happened that right before graduate school, I came across a book, How Can I Help? Stories and Reflection on Service, by Ram Dass. It changed my life. Below is an excerpt from a section called “Suffering.” I call it “Eating Tears.”
My personal and professional life is predicated as a response to the world’s suffering. It just so happened that right before graduate school, I came across a book, How Can I Help? Stories and Reflection on Service, by Ram Dass. It changed my life. Below is an excerpt from a section called “Suffering.” I call it “Eating Tears.”
* * *
Eating Tears
I know God will not give me anything I can't
handle. I just wish that He didn't trust me so much.
-- Mother Teresa,
b. Agnes G. Bejaxhiu (1910–1998)
My idea was pretty
simple at the beginning. I started to volunteer in wards with terminally ill
children or burn victims – just go there and cheer them up a little, spread
around some giggles. Gradually, it developed that I was going to come in as a
clown.
First, somebody gave
me a red rubber nose, and I put that to work. Then I started doing some
elementary makeup. Then I got a yellow, red, and green clown outfit. Finally,
some nifty, tremendous wing-tip shoes, about two and half feet long, with green
tips and heels, white in the middle. They came from a clown who was retiring
and wanted his feet to keep on walking.
It’s a little tricky
coming in. Some kids, when they see a clown, they think they are going to be
eaten alive. And kids in hospitals and burn units, of course, are pretty shaky.
So it’s always good to lead with some bubbles, just blow some bubbles around
the ward. Then I’ll move from bed to bed, just feeling out what’s appropriate:
maybe checkers, or blackjack, or go fish. Or if they’re lying there with tubes
coming out of them, I’ll hit the kids
with riddles. Riddles are great.
Later, if they can
manage it, I’ll give them this paper bag that they can fit over their heads.
When they put it on and sort of blow their lips together, they can make this
funny sound I call the Funny Mantra. They turn into a living kazoo. I’ll say,
“If things get too tough, just take that paper bag from under your pillow and
sound off. Maybe that’ll help a little, and it’ll sure surprise the nurses.”
Because things do get
very tough in there, I’ll tell you. They were very tough for me in the
beginning – very. You see some terrible things in these wards. Seeing children
dying or mutilated is nothing most of us ever get prepared for. Nobody teaches
us to face suffering in this society. We never talk about it until we get hit
in the face.
Like when I was
starting out I was making the rounds one day at a children’s hospital. The
shade was pulled on this one room so I couldn’t see, but I peeked in the door.
It was a room with badly burned children in it. They had them in chrome crib
beds with walls on the side, so they couldn’t crawl out or fall out if it got
too terrible in there.
There was this one
little black kid in one of them. He was horribly burned. He looked like burnt
toast. Pieces of his face weren’t there. Pieces of his ears were missing. Where
was his mouth? You could hardly tell who he was. There was no way of pinning a
person to the face, what little there was of it.
It was just terrible,
just mind-boggling. My jaw dropped, I gasped, and I came completely unglued. I
remember flashing back to the anti-war movement. There was this picture of a
napalmed kid I used to carry around at demonstrations. Suddenly here was that kid
right in front of me. Unbelievably painful to behold.
I was overwhelmed.
And my mind went off in all sorts of directions. “What’s it going to be like if
he lives?” “What if I had a child this happened to?” “What if this happened to
me?”
So there we were burnt
toast and unglued clown. Quite a sight, I bet. And I’m fighting just to stay
there, trying to find a way to get past my horror.
All of a sudden, this
other kid comes whizzing by – I think he was skating along on his IV pole – and
he stops, and kinda pushes around me, and looks into the crib at this other
kid, and comes out with, “Hey, YOU UGLY!” Just like that. And the burnt kid
made this gurgling laugh kind of noise and his face moved around, and all of a
sudden I just went for his eyes, and we locked up right there, and everything
else dissolved. It was like going through a tunnel right to his heart. And all
the burnt flesh disappeared, and I saw him from another place. We settled right
in.
“YOU UGLY!” Right. He
ugly. He probably knows how ugly he is more than anyone else. And if he’s gotta
deal with people hanging around with saliva coming out of their mouths, it’s
gonna be extra horrible. But somebody meets him in the eye and says, “Hey,
what’s happening? Wanna hear a riddle… ?”
So being able to look
You Ugly in the eye… that’s done a lot for me. Because once I do that, I can go
in and see what might be done that can ease things up. And you get all kinds of
inspiration.
Like, some of us were
setting up to show Godzilla in
the kids’ leukemia ward. I was making up kids as clowns. One kid was totally
bald from chemotherapy, and when I finished doing his face, another kid said,
“Go on and do the rest of his head.” The kid loved the idea. And when I was
done, his sister said, “Hey, we can show the movie on Billy’s head.” And he
really loved that idea. So we set up Godzilla
and ran it on Billy’s head, and Billy was pleased as punch, and we were all
proud of Billy. It was quite a moment. Especially when the doctors arrived.
So I don’t know.
Burnt skin or bald heads on little kids -- what do you do? I guess you just
face it -- when the kids are really hurting so bad, and so afraid, and probably
dying, and everybody’s heart id breaking. Face it, and see what happens after
that, see what you do next.
I got the idea of
traveling with popcorn. When a kid is crying I dab the tears with the popcorn
and pop it into my mouth or into his or hers. We sit around together and eat
the tears.
My name is Eddie and I’m in recovery
from civilization…
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