Showing posts with label cultural studies. Show all posts
Showing posts with label cultural studies. Show all posts

Saturday, August 13, 2016

Daphne as Drum



Hola Everybody,
I gotta go hit the sweltering streets and check on possible living arrangements. Today, I’m posting a poem that grabbed me once while at a bookstore. It’s from an anthology titled, The Wind Shifts: New Latino Poetry, edited by Francisco Aragon. I know my friend Nina will appreciate this one… 


Daphne as a Drum

pa’ Juan

The Cieba tree is the national tree of Puerto Rico. Ponce has one that's over 5 centuries old. The Cieba tree holds spiritual meaning and are often located at sites that considered sacred.



In a clearing, the percussionist pauses
noticing the dark hips
in a tree’s shape.


He puts his arms around
the curve of its waist and holds on,
ear pressed to the trunk.


He strokes the bark
with calloused hands.
Daphne aches inside


her home. She wants to bend
and let down her hair when his palms
brush her stiff back and behind.


He whispers, you are red
inside, full of music.
So, he fells the tree,


rhythms thudding, echoing
from the fallen trunk.
Slowly, delicately he scoops out


everything, the sap
sticking to his fingers
And when it is over


her figure remains in the wooden
contours, waist and hips
responding below the taut skin


he taps between his legs.


-- Lidia Torres



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My name is Eddie and I’m in recovery from civilization…

Monday, December 5, 2011

The Plantation in Puerto Rican Popular Music

I wrote the following for another site and I don’t believe it migrated here. I’m in a Puerto Rican Studies mood today, so I’m sharing.
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PlantacĂ­on Adentro: The Plantation in Puerto Rican Popular Music
Sombras son la gente…

The connection between the Cuban “Son” and Salsa is undeniable, but whereas son is Cuban country music, salsa was the child of an inner city identity movement wrought by the mass migration of primarily Puerto Rican Latin@s to New York in the 50s and 60s. Hence Salsa, right off the bat, is overtly political. The Panamanian-born actor, songwriter, poet, Harvard-trained lawyer, and politician, Ruben Blades (who sings lead here) once asserted that salsa was more than a musical genre, it was a way of life, an “urban folklore.” Eventually that urban folklore -- that cry of the urban Latin@ working class -- would reach 100s of millions of Latin@s in Barrios the world over. Eventually Europe and swaths of the Orient would come under its rhythmic spell (salsa dancing and salsa bands still very popular in Japan -- Google Orquesta la Luz).

While some salsa songs, for example, take up the theme of the sweetness of the sugarcane as a way to explore nostalgia for the good things of the old country, others explored the politics more trenchantly. What ultimately appealed to the young Puerto Ricans in New York and Latin@s the world over were the songs that documented (and in that way validated), celebrated, and explored life in El Barrio.

As an example, Willie Colon and Ruben Blades collaborated on a viciously wicked song called “PlantaciĂłn Adentro” (literally Plantation Inside). Though it deals with a coffee rather than a sugar plantation, the system of oppression is not much different. Written by one of the greatest Puerto Rican composers, Tite Curet Alonso, the song is notable first for its black humor, which is used as a vehicle to expose the hypocrisy and cruelty of the entire system:

Se murio el indio Camilo por palo que daba el mayoral
que medico de turno dijo asi, “muerte por causa natural.”
¡claro! si despues de una tunda de palos, que se muera es normal

English translation:
Camilo the Indian died from the beating the overseer gave him,
and the doctor on shift pronounced it,
“death by natural causes.”
Sure! after a rain of blows naturally one dies!

Not much different from the reality that many Puerto Ricans and other minorities experience: so long as everything is certified by a specialist (in this case the doctor on call) the status quo holds and the system is legitimized by its social institutions and proceeds business-as-usual. Of course, the meaning of that “natural” death is open to interpretation, and while it results from a natural or normal chain of cause and effect, it is not legally a “natural” death. This highlights the essentially violent nature of capitalism, as experienced in the postcolonial context.

The song also utilizes a theme that centers on the paradox between secrecy (a proactive blindness?) and revelation. This is an inspired bit of writing on the part of Alonso: the plantation presents us with a conundrum, as it is at the same time hidden (“adentro”) and out in the open. Its marginal status virtually ensures that few people outside the industry would or could penetrate the boundaries erected by social prejudice, geographical isolation, and poverty.

The song begins with the news broadcast of a death and then proceeds with the following lyrics:

Sombras son la gente, sombras son la gente
Plantación adentro camará, e' donde se sabe la verdad,
e' donde se aprende la verdad,
dentro del follaje, y de la espesura, donde todo viaje, lleva la amargura . . .
Camilo Manrique fallecio por golpes que daba el mayoral
y fue sepultado sin llorar, una cruz de palo y nada más.

English:

People are but mere shadows... there's a plantation inside there,
that's where the truth is known, that's where the truth is learned,
inside the foliage, past the thickets, where everyone passes, there is bitter grief...
Camilo Manrique died from the blows of the overseer
and was buried without tears, a cross made from sticks and nothing more.

While the song is a lament for the cruel murder of an Indian, its genius consists in the way it builds its meaning around symbols of boundaries that simultaneously define and blur the spaces they delineate. The foliage marks the borders of the plantation, inside of which “the truth is learned.” 

Paradoxically, the thickets serve to hide this inside knowledge from those who pass by without entering. The grave marker is merely two sticks that reinforce the anonymity of the death. It marks the grave but not the body interred within it. Nothing more can be known about the deceased or the circumstances of his death. The fact that the sticks are of the very same material that killed the Indian is an irony that would escape notice were it not for the narrator's constant repetition of the word “palo” used here both in the sense of “stick” and the “blow” dealt by a stick (“palo” is both a noun: stick; and an action: a blow).

In fact, the entire incident, along with the presence and significance of the plantation, would escape notice, were it not for the narrator's own transgression, which means that the plantation now bears scrutiny and exists as a kind of “clue” or crime scene that must be investigated, penetrated, brought to light. It is an open secret, the dirty laundry of the captains of industry.

Tite Curet Alonso was arguably the greatest composer and interpreter of Afro-Puerto Rican musical and written art forms. He composed songs based on folkloric expressions of the very poor and downtrodden and wrote in a way that entertained, instructed, and elevated urban popular culture no other composer can claim. That his genius is barely acknowledged today is itself a crime.

My name is Eddie and I’m in recovery from civilization…

Tuesday, January 11, 2011

Puerto Rican History: Eugenio Maria de Hostos

¡Hola! Evertybody...
The following was taken from a talk by one of my s/heros, Aurora Flores. Journalist, educator, activist and swinging musician (her band, Zon del Barrio rawks!), I always enjoy her contributions. Today she pays tribute to one of the greatest Latin@s ever, Eugenio Maria de Hostos (she’s his great grand niece). This man’s vision and work still reverberates throughout the world.

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-=[ Eugenio Maria de Hostos: Educator, Writer, Patriot ]=-

By Aurora Flores (great grand-niece of Hostos)

Remarks written & delivered at the 30th Anniversary Celebration of the Founding of Hostos Community College: March 25, 2006 (click here for audio)


“Ideals that take days to conceive, mature over centuries of struggles,” wrote Eugenio Maria de Hostos in the late 1800s. One of the most distinguished and illustrious men in Puerto Rico’s history, Hostos was known worldwide as educator, humanist, abolitionist, feminist, philosopher, writer, politician and above all an early advocate of self-government for Puerto Rico. A Renaissance man of the Caribbean with a clear, liberal, international and pragmatic mindset, he educated an entire continent and was called “Citizen of America.” He advocated for a Federation of the Antilles embracing Puerto Rico, Cuba, and the Dominican Republic and devoted his life to seeking the political independence of Cuba and Puerto Rico.

His many essays, articles and books reflect his philosophy on social justice, political science, virtues and moralities for social reform and advocacy. He was an important advocate for the abolition of slavery, the rights of Chinese laborers in Peru and the higher education of women in law and science in Chile playing an important role in reforming the educational system for women throughout Latin America. He established the first teacher’s colleges and advanced methods for teaching throughout the Caribbean, in particular the Dominican Republic. He was known throughout Latin America as a publicist of civic reforms, a rationalist in ethics who believed that “to be civilized and to be moral is the same thing.” And as a writer of graceful and didactic prose.

Eugenio Maria de Hostos y Bonilla was born on January 11, 1839 in the village of Rio Cañas near Mayaguez, Puerto Rico. He was the first of the Ostos family originating from Spain and settling in Cuba to be born in Puerto Rico. First educated in San Juan, he was sent to Spain at 13 to study at the Institute of Higher Education in Bilbao earning a law degree at the University of Madrid. As a student in Madrid, he became interested in politics. While studying law, he wrote newspaper and magazine articles on the need for autonomy for the Spanish West Indies.

He distinguished himself as an essayist and orator in the movement to abolish the slave trade with Africa and to liberalize colonial rule. Already he had conceived the hope that Spain’s territories in the Antilles might be confederated as an independent republic.

He joined the Spanish Republicans because their leadership promised autonomy for Cuba and P.R. To express that hope, he wrote the first of more than 50 books, the allegorical novella La PeregrinaciĂłn de Bayoán in 1863, describing the voyage to Spain by the Arawak leaders of Puerto Rico, Cuba and the Dominican Republic advocating independence and self governing autonomy for these island nations. When the republicans triumphed over the monarchy three years later in 1869, Hostos’ hope for peaceful change was dashed when the new Spanish constitution left colonialism firmly in place. After realizing the betrayal, he refused the post of Governor of Barcelona and headed for New York.

Once in N.Y., Hostos joined the Puerto Rican Section of the Cuban Revolutionary Party organized by Cuban poet and patriot Jose Marti becoming editor of a "La RevoluciĂłn," the journal of the Cuban revolutionary movement. He was joined here, with his ideas embraced by, Ramon Betances, leader of the "1868 Grito de Lares" uprising along with Segundo Ruiz Belvis. Here Hostos advanced his formula for an independent Antillean Confederation with a base in Cuba, Puerto Rico, Haiti, the Dominican Republic and Jamaica.

However he was also disappointed that in Cuba and P.R. there were many who wanted their independence from Spain but who did not agree with the revolutionary ideals. Instead, they preferred to be annexed by, and become a part of, the U.S.

Three years later he embarked on a tour of South America to promote the ideals of a united Antellano Federation, recruit support and raise funds for this liberation movement. He traveled within the U.S. France, Colombia, Panama, Peru, Chile, Argentina, Brazil, Venezuela, St. Thomas, the Dominican Republic, Cuba and P.R. And although he had come from a family of privilege, wherever he traveled, he lived humbly among the people and the leaders he was cultivating.

In Peru, he helped to develop the country’s educational system and spoke out against the harsh treatment and exploitation of the Chinese immigrants.

In Chile, he championed the cause of women’s education, particularly in law and medicine.

Hostos arrived in Chile in December of 1871. As professor at the University of Chile he gave a speech titled “The Scientific Education of Women” proposing that the government permit women into their colleges.

He immediately began a controversial campaign of lectures and essays defending the women’s right to education observing and comparing the plight of women as: “…a plant that vegetates without a clue of its existence.” (“Es una planta que vegeta, sin una conciencia que conoce su existencia.”) Hostos turned it around on the men claiming that, “If women are charged with the upbringing of our children, how can they teach those children and develop their intellectual and mental capacities if she does not know how to direct her own life.”

Hostos went on to condemn the educational system in Chile with respect to women by pointing out the following:

“They have taught her to read so that she can read ‘novellas.’ Sometimes she reads novels of religion, sometimes she seeks refuge in the religion of the novel; she has been taught to write so that she may write the novel of her love in the stereotypes from the most stupid teachers who happen to be at hand; she has been taught to pray so that her lips may mechanically evoke what her conscious mind fails to understand; she has been taught to work so that she may do the same work mechanically every day; she has been taught to sing in order to enhance her attractiveness; she has been taught to play the piano all her life, to accompany the dancing of those who are fit only to dance; she has been taught to mistreat a foreign tongue so that she can forget or abuse her own; she has been taught to draw so that she can embroider to perfection or occupy her periods of boredom with the ideal of a man whom she cannot find around her.

Woman have been reduced to the level of a two-legged animal that procreates its kind, that feeds its offspring from its breasts, that sacrifices to the life of the species its own individual existence.”

He went on to reason with the male educators saying: The only thing needed for education is intellectual capacity and the exercise of reason: Reason has no gender, no sex, “La razon no tiene sexo.” It is the same faculty in men as in women operating and functioning precisely in the same manner. (“Y es la misma facultad con sus mismas operaciones y funciones en el hombre y en la mujer.”) If a man can recognize truth through the use of reason, so can a woman. In short, if a man is capable of higher learning, so are woman.

Soon after, Chile allowed women to enter its college educational system.

In Argentina, he campaigned for the construction of the first trans-Andean railroad that, when built, was named in his honor. In Brazil, as correspondent for the Buenos Aires journal La NaciĂłn, he wrote a series of articles on the country’s natural history.

After a brief return to New York in 1874, Hostos continued his travels first to the Dominican Republic where he founded the first college for teachers implementing advanced teaching techniques before going to Venezuela where, in 1877 he married the Cuban-born Belinda de Ayala. P.R. poet Lola Rodriguez de Tio, was their maid of honor.

Hostos’ career as an educator began in 1879 when he established himself in the Dominican Republic as founder and director of that country’s first teachers college. First son Eugenio Carlos was born during this year.

For the following nine years Hostos worked intensively to reform the educational system in D. R. often undertaking on his own the writing of the textbooks used. By 1881, his first daughter Luisa Amelia was born followed by the birth of his second son, Bayoan Lautaro in 1882. In 1887 son, Adolfo JosĂ© was born as the first graduates of the Dominican Teacher’s College were inducted as alumnus of the “Instituto de Señoritas” led by Salome Ureña de Henriquez. The following year Hostos creates the Night School for the Working class: “La Escuela Nocturna para la clase obrera.” He writes his classic book, “Moral Social.”

At the request of President Balmaceda of Chile, Hostos moved to Santiago in 1888 along with his wife, his children, Eugenio Carlos, Luisa Amelia, Bayoan and Adolfo who were born in D.R. He traveled to Chile via Panama and Curazao.

Hostos became the Chair in Constitutional Law at the University In Chile and undertook another nationwide project in pedagogical reform. His pilot school became one of the leading educational centers in Latin America. While in Chile, his son Filipo Luis Duarte was born in 1890.

Hostos returned to Cuba in 1895 to take part in the renewed struggle for independence. In 1898, he returned to New York and founded the “Liga de Patriotas” where he was named president. He then traveled with a delegation of Puerto Rican leaders including Julio J. Henna, Manuel Zeno Gandia and Rafael del Valle to Washington, D.C. to argue with President McKinley for the independence of Puerto Rico. Again, Hostos’ hopes were squashed as the United States government decided to retain Puerto Rico as a territory.

He returns to P.R. just long enough to establish “el Instituto Municipal” in Mayaguez.

Shortly thereafter, the Dominican government called him to reorganize the public education system of the island.

Hostos returned to the Dominican Republic in 1900 as director of the Central College and General Inspector of public education. He continued to play a major role in reorganizing the educational and railroad systems until his death on August 11, 1903 at his home in Las Marias, Santo Domingo where he remains buried in the Panteon Nacional until, as he requested, Puerto Rico is independent.

He wrote his own epitaph that says: “I wish that they will say that in that island Puerto Rico a man was born who loved truth, desired justice and worked for the good of mankind.”

In 1938, the 8th international Conference of America celebrated in Lima, Peru posthumously paid tribute to Hostos and declared him ”Citizen of the Americas and Teacher of the Youth.” Puerto Rico declared his birthday an official holiday. There is a monument honoring Hostos in Spain. In P.R. there are two monuments dedicated to Hostos, one in his native city of Mayaguez, created by renowned sculptor Tomas Batista and another in San Juan created by Jose Buscaglia Guillermety. In NY there is the Eugenio Maria de Hostos Community college of the City University of NY.

Hostos’ voluminous body of writings includes critical studies of Hamlet; Romeo and Juliet; An Historical Description of Puerto Rico; Lessons in Constitutional Law; Reform of Legal Education; Science of Pedagogy; Administrative Decentralization; Project for a General Law of Public Education; The Scientific Education of Women; Sociology and Social Ethics.

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¡Despierta Boricua!

My name is Eddie and I’m in recovery from civilization...

Monday, July 14, 2008

Monday Madness [Penis Holding / Conflict Resolution]

¡Hola! Everybody…
I’m going out to a couple of museums today. It’s raining, so the beach is out as is Six Flags. But if the weather allows, I’ll be at Six Flags tomorrow. I’m on vacation, biatches! LOL

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-=[ Penis/ Labia Holding and Conflict Resolution ]=-

OK! I know I should leave well enough alone, but I can’t! LOL!

In light of the Rippa/ Cosmic “reconciliation” I propose the following (taken from one of my blogs, which was taken from somewhere else, I forget):

Among the Walbiri and Aranda people, when different communities get together or when grievances need to be settled, the men participate in what is known as touch-penis, penis-holding, or penis-offering rite. Each man presents his semi erect penis to all the others, pressing it into each man’s palm and drawing it along the length of the upturned hand.

By offering and grasping each other’s penis -- said to represent “paying with one’s life” – the men make a vow of support and fellowship between them, or solidify whatever agreement they have reached during the settling of the dispute.

I dunno, but it would be pretty hard to fight someone after you’ve held their dick in your hands! LMAO! Can you imagine me, Stiffy, Rip, Mo, Neddy, and Cosmic standing in a circle holding each other’s pricks?!!

And what if you renege on the settlement?

What then?

Can just hear Rippa tell Cosmic, “Tony, after you held my prick in your hands, how could you do something like that?!!”

I propose that women should have a similar ritual. Perhaps all the women with beef (pun intended) on 360 and The 'Ply should all stand in a circle and grab on to each other’s labia! Of maybe they can stand in a circle, stick their fingers in the hole, and make a vow of cooperation and support!

In fact, I pronounce today “Conflict Resolution Day” and will willingly hold any woman's labia in my hand if she'll hold my penis!

LMPRAOOO!

Love,

Eddie

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