Hola mi Gente,
I honestly believe, borrowing a throwaway line from
Trump, that Bill or Hillary Clinton could hang a Latinx or Black person In the
middle of 5th Ave. and many of us would still vote for them. In many ways, they’ve
already killed many people of color.
* * *
In the Heart of the Heart of Darkness
Exterminate all the brutes!
-- Joseph Conrad, Heart of
Darkness
An anti-imperialist treatise at a time
when imperialism was politically correct, Conrad’s Heart of Darkness is
considered one of the great masterpieces of the Western canon. And for good
reason. While Conrad has been fairly taken apart by post colonialist critics, I
have to say they’re missing the point. This is a brilliantly anti-imperialist,
anti-racist work of an artist at the height of his power as an innovator in literary
ideas and techniques.
Based on his own journey into Africa in
1890, Conrad’s most brilliant work is Audacious, experimental (for its time),
satirical, and yet deeply humanistic, the novella has continued to provoke
controversy and analysis.
The story takes the form of a story
within a story. Charles Marlow tells a group of British friends about his
journey into a part of Central Africa identified as the “Congo Free State,”
which was then the private property of Leopold II, King of the Belgians. Known
as “The Dark Continent” in the Victorian Era, with all the negative attributes
of darkness attributed to Africans by the English, Africa was viewed as the
ultimate “other” by Europeans: its inhabitants were assumed to be sub-human,
the continent seen as a vast untapped reservoir of riches to be plumbed. Marlow
recalls the atrocities and absurdities he witnessed: A French warship
bombarding the continent, the cruel, inhumane treatment of enslaved black
laborers, and the brutal greediness of white colonialists driven by the
insatiable lust for profits.
The initial goal of the narrator is to
meet the great Mr. Kurtz, an idealistic European trader; but upon confronting
the dying adventurer, he finds instead a deranged and depraved individual.
Kurtz is virtually a savage god, who sums up his view of Africans in the
phrase, “Exterminate all the brutes!”
We learn that the “heart of darkness”
is not simply a jungle at the center of “The Dark Continent,” it also the
corrupt heart of Kurtz, and maybe even European imperialism itself. In a
telling statement Conrad writes, “All Europe contributed to the making of
Kurtz,” and depicts London as the center of ominous gloom.
Heart of Darkness proved enormously
influential and one of its most famous adaptations was the 1979 Francis Ford
Coppola masterpiece Apocalypse
Now, with Marlon Brando embodying “the darkness” at the heart of the
Vietnam War.
Today, the “heart of darkness” can be
found right here in the heart of America. In using and defending racist
stereotypes such as the Clintons have done
with the super predator frame, America
has created its own “brutes” that must be extinguished or at least caged. And
if you think I am exaggerating the power of cognitive schemas, consider a study
that discovered a mere five-second exposure to a mug shot of African-American
and Hispanic youth (in a 15-minute newscast) raised levels of fear among
viewers, increased their support for “get-tough” crime policies, and promoted
racial stereotyping.
More interesting, the effects varied
according to race. The increase for white and Asian viewers was about 10%. The
effect, however (and this can partially explain our dysfunctional support for
the Clintons) was more pronounced among African-Americans and Hispanics, with a
38% rise.
What is clear here is that exposure to the image of a minority
“superpredator” increases the percentage of whites and Asians who subscribe to
negative stereotypes about African- Americans and Latinx. We create our own
monsters and those monsters are usually the black and brown lives snuffed out
with impunity by the very institutions that are supposed to protect them. And
America, like the Clintons, cheer because the lives that being snuffed out or
caged belong to murderers without conscience.
Exterminate
all the brutes!
My name is Eddie and I’m in recovery
from civilization…
Resources
Free text of Heart of Darkness at Project
Gutenberg (click here)
Link to the film, Apocalypse Now (click here)
The Superpredator Myth, 20 Years Later:
A deconstruction and study of the effects of the myth of the superpredator (here)
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